AGATHODAIMON - GERMANY

Blacken The Angel - 1998 - Nuclear Blast
HigherArt Of Rebellion - 2000 - Nuclear Blast
Chapter III - 2001 - Nuclear Blast
Serpent's Embrace - 2004 - Nuclear Blast
BAND PIC

  Members

S= Vlad - Asaru>>Frank ‘Akaias’ Nordmann>>Asaru - Vlad
G= Hyperion>>Megalith – Nocte Obducta>>SANTHONYS [MARTIN WICKLER]
B= Marko T. – Deztroyer>>Darrin Smith – TILL OTTINGER
D= Nocte Obducta>>MATTHIAS RODIG>>Nocte Obducta
K= Nocte Obducta>>Vampallens>> Nocte Obducta – Vlad – FELIX WALZER


History

Agathodaimon is the standard gothic/face paint/keyboard-oriented/true/vampiric band and hails from Mainz Germany. They were formed in 1995 and released the Carpe Noctem demo in 1996. Following much interest from labels like Listenable and Century Media the band signs to Vlad which inevitably means touring with Benediction, Hypocrisy and the like. When Vlad wasn't let back into Germany from Romania, the band didn't miss a beat and had Akaias do the vocals on the band's debut. The band played Wacken in 1998 and travelled to Romania to record the second album with Vlad. Agathodaimon lost bass player Marko T in late 2002. He decided to leave the band due to health problems. Serpent's Embrace - initially billed as Darkened Days - was issued three years after its predecessor. Nuclear Blast also issued a two-CD version of the album. Bassist Darin 'Eddie' Smith left in April of 2006. Frank 'Akaias' Nordmann left for vocational reasons in the tail end of 2006.


Reviews

AGATHODAIMON - SERPENT'S EMBRACE - NUCLEAR BLAST
It looks like fans of this Germany-based band have had to endure a long wait for a new album. It is here, and this being my introduction to the quintet, the album does not fare as badly as expected. The presence of a keyboardist and hints of trendiness had Agathodaimon sound like a write-off in advance, but the band has good moments and is not a complete waste of a metal fan's time.
Agathodaimon harbours elements of Borknagar, Amorphis and Hypocrisy. If one can imagine how the bastard child of this threesome would come across, this bunch would probably be it. The vocals take the soft-one-moment-and-screeching-another tact that many bands opt for nowadays and the music follows a similarly schizophrenic path. The sound is good. Were the band banish the keyboardist, incorporate more guitar leads like the one on the song Faded Years and generally abandon the trendier elements for a more serious approach things will look up sharply. In the meanwhile, the band will be mostly of appeal to the younger participants in the scene who don't mind taking a little gravel with their metal. - Ali "The Metallian"


Interviews




Corrections, Additions, or Suggestions
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