In all likelihood the biggest heavy metal group in history, Londoner Steve Harris formed Iron Maiden in 1975. Influenced by the likes of Jethro Tull and Wishbone Ash and playing around on his bass since 1971 the young Harris played in bands like Gypsy’s Kiss before forming his own band. Iron Maiden soon became the mainstay of London’s underground metal scene in the late ‘70s with members coming and going every several months. The band’s name was inspired by the film The Man In The Iron Mask and the medieval torture device.
The band, now featuring Paul Di’Anno on microphone, recorded the songs Prowler, Invasion, Strange World and Iron Maiden at Spaceward Studio. The songs, as immortalized in the Soundhouse Tapes, the underground following; the support from the London metal community (including DJ Neil Kay) and the live shows convinced John Darnley of EMI to sign the band. The band appeared on the Metal For Muthas sampler and issued the Running Free single. The band’s albums would consistently chart. The band was soon heralded as one of the forbearers of the NWOBHM movement. First to go was guitarist Dennis Stratton. Former Urchin guitarist Adrian Smith replaced him. Di’Anno left the band due to health issues and a disdain for life on the road. He had sung on the self-titled debut and the Killers album. His replacement was former Samson man, Bruce Bruce a.k.a. Bruce Dickinson. Next to go was drummer Clive Burr who was replaced by Nicko McBrain. By now the band had toured with the likes of Judas Priest, Kiss and Whitesnake and become a major headlining act. The band’s sound would change following the definitive live album Live After Death. Somewhere In Time featured synthesizers, while the conceptual Seventh Son Of A Seventh Son sounded more progressive and revealed more of Steve Harris’ early influences. Janick Gers replaced Smith in 1990, but would stay on to make Maiden a three-guitar force upon Smith’s return ten years later. Dickinson would leave Iron Maiden in 1993, but given the lack of success of the band with Blaze Bayley on vocals, would return in 1999 alongside Adrian Smith. Both men had shown less and less love for the pure heavy metal sounds of the band, although Dickinson had impressed many with his solo career. Their first album with the band upon return was 2000’s Brave New World. The band entered the studio in the spring of 2006 with Kevin Shirley again and recorded A Matter Of Life And Death. The title was inspired by a World War II film called Matter Of Life And Death. The ensuing tour was a commercial success in tandem with the band’s renewed commercial viability. The band and its manager Rod Smallwood left the Sanctuary Records Management roster in the autumn of 2006. The band was still signed to Sanctuary Music in the USA. Iron Maiden signed on for the Desert Rock 2007 festival taking place March 9 and 10th, 2006 at the Dubai Country Club in Dubai, United Arab Emirates. The group followed up its appearance at Dubai Desert Rock Festival in the UAE with its first appearance in India. The group played a show in Bangalore on March 17th, 2007. The band next announced an ambitious touring plan for 2008. The band would tour Australia for the first time in 15 years and continue on to other parts of the world using the Somewhere Back In Time World Tour 2008 monicker. The tour would have an ‘80s theme and coincide with the re-release of the band’s older videos on DVD. The group re-signed to EMI Records in 2007. Somewhere Back In Time was the title for another band compilation. The CD featured music from the band’s first decade. The band would play at the Aucas Stadium in Quito, Ecuador on Tuesday, March 10th of 2009. This would be the Brits’ first show in the central American country. The band’s Bogota, Colombia concert on March 7th, 2009 degenerated into a near-riot with non-ticket holders on the one hand and attendees who attempted to approach the more expensive VIP section causing a raucous. Iron Maiden’s documentary film Iron Maiden: Flight 666 was out in select cinemas on April 21st. In 2008 Sam Dunn and Scot McFadyen, the same guys who produced Metal: A Headbangers Journey, traveled with the band to document the band's 2008 Somewhere Back In Time World Tour. Iron Maiden: Flight 666 was a full-length documentary film, about the first leg of the band's tour in February and March of 2008. On Tuesday April 21st the documentary Iron Maiden: Flight 666 was shown in several digital cinemas world-wide. More showings were scheduled and a DVD version was due in May.
Paul Di’Anno’s 30th Anniversary Of Iron Maiden tour marked the thirtieth anniversary of the self-titled debut of Iron Maiden. The former singer of Iron Maiden played every song of the album live and also included tracks from the follow-up album, Killers. The tour occurred in Australia and New Zealand in June of 2010. The British Broadcasting Corporation axed Bruce Dickinson’s BBC 6 Music Friday night radio show as it cut back on its programming in general and digital programming in particular. The singer had conducted his show on and off for the last eight years. A summer tour in North America was scheduled for 2010. The tour was dubbed The Final Frontier and would hit Europe next. The reunited U.K. hard rock band Wolfsbane, featuring former Iron Maiden singer Blaze Bayley, was working on music for a new studio album due in 2011. Iron Maiden's next album, The Final Frontier, was due on Monday, August 16. The Final Frontier World Tour was underway in North America. Three members of Sikth and Adrian Smith joined forces along with members of Murder One and Vacant Stare to form a new metal project. The band, The Primal Rock Rebellion, was to make its live debut on Saturday, January 15th in High Wycombe at Bucks Student Union. The show was cancelled ostensibly because it was inadvertently advertised. Smith might have been forced by management to cacnel said show and emphasize the group’s project-only nature. Smith was also writing songs with INXS singer J.D. Fortune. Iron Maiden fans caused a barricade to fall during the band's concert on March 27th 2011 at HSBC Arena in Rio de Janeiro, Brazil, forcing the group to cancel the appearance. The incident happened during the first song of the band's show, Satellite 15 ... The Final Frontier. Iron Maiden would headline the Turkish version of the Sonisphere festival, which took place on Sunday, June 19th at Kucukciftlik Park in Istanbul. Premier, a manufacturer of drums and percussion, was sponsoring An Evening With Nicko – A Night Of Drums, Drumming And Entertainment With Iron Maiden's Nicko McBrain. The Western European dates span the month of November. Taking merchandising to the next level Iron Maiden would take over the entire Hopton Holiday Park in Norfolk, England for three nights in October of 2012. The thematic night would feature all things Iron Maiden including music, shows, games and cover bands. Iron Maiden would not be playing. Iron Maiden’s En Vivo! was a live Blu-Ray, two-DVD package and double soundtrack album out in 2012. It was filmed on April 10th in front of over 50,000 fans at the Estadio Nacional, Santiago, Chile. Former singers Blaze Bayley and Paul Di'Anno would be together again for a tour of Australia and New Zealand in November and December of 2012. The two had toured Russia that winter.
In more recent years the band has issued numerous compilations and live albums, issued bonds on future revenue, become part owners of its management and established its own members’ label imprints and toured the world playing ‘classic songs.’ The band’s back catalogue is also subject to constant re-release. Di’Anno has announced he would love to grace the stage with Maiden on occasion, Burr has been ill and been the subject of benefit shows by the band while McBrain discovered Christ.
Iron Maiden remains second to none in metal hearts and popularity in most parts of the metal world. Iron Maiden was also the first band to play the BBC TV show Top Of The Pops live since The Who, was banned in different countries, been deemed Satanic for its classic 1982 song and album Number Of The Beast and made Eddie, drawn usually by artist Derek Riggs, its mascot and cover model. In a 2010 interview, Derek Riggs admitted to walking away from work with the English band in order to disentangle himself from the band’s management and art director.
IRON MAIDEN - THE NUMBER OF THE BEAST - EMI
The common rule in metal says that the third album will either ‘make it or break it’ for a band. Not only was The Number of The Beast Iron Maiden’s third album, but also the first with then new singer Bruce Dickinson who had been with Samson before. Gone were the punk influences that Paul Di'Anno's voice had brought to the band. Dickinson’s vocals were a lot higher and more melodic.
Invaders, the opener, is a fast-paced song and an aggressive start for the album. The semi-ballad Children Of The Damned, though featuring a fast part, cools down the atmosphere somewhat before The Prisoner, the album’s first classic, heats it up again. The song begins with a dialogue from the British TV series of the same name. The up-tempo 22 Acacia Avenue continues the story of Charlotte The Harlot and once was a part of Maiden’s live set. The title track again features a spoken intro before a memorable riff sets in. The topic of the song sparked a lot of criticism after the album’s release, but is pretty much tongue-in-cheek. Run To The Hills, with its two-part structure (Native American theme/cavalry with galloping horses) is another fan-favourite. The following song Gangland is clearly a filler and the only weaker song on the album. A lot stronger, of course, is the final song Hallowed Be Thy Name with its dark mood and tempo changes. It closes an album that remains a milestone not only in Iron Maiden’s career, but also in the whole realm of heavy metal. - Andreas Herzog
IRON MAIDEN – PIECE OF MIND – EMI
Piece Of Mind is Iron Maiden’s most progressive album. Progressive here means complex and detailed; not Dream Theater style.
Where Eagles Dare opens the album with powerful and technical drumming. Piece Of Mind was the debut for drummer Nicko McBrain, acquired from the French band Trust, and he can showcase his skills already in the first song. The lyrics are based on the war movie of the same title. Revelations alternates between slow and up-tempo with a balladesque interlude in the middle and can also be heard on Live After Death. Nowadays, it is not a part of Maiden’s set list anymore. Flight Of Icarus is recognizable from its first five chords on and was a huge hit single in the U.S. Die With Your Boots On is a fast song about the silly fear of death and pointedly against political leaders preparing their countries for war. USA and Middle East, anyone? The topic of the song is still up-to-date. Enough has been said about The Trooper. It is one of the most popular Maiden songs of all time. Still Life, however, is widely underrated, and I think it has never been played live. A shame, since it is reminiscent of early Fates Warning in riffing and structure, and clearly shows how much Iron Maiden has influenced Fates Warning. Quest For Fire is epic and could have been written by Manowar, only that it has better lyrics than a Manowar song. Sun And Steel, a song about the Samurai code of honour, has a catchy chorus and also would have made a good single. To Tame A Land, based on Frank Herbert’s Sci-Fi classic Dune, closes the album. Overall, Piece Of Mind has a different atmosphere than Number Of The Beast, but is by no means worse. – Andreas Herzog
IRON MAIDEN – POWERSLAVE – EMI
Powerslave was the apex of Iron Maiden’s career. Period. No other Maiden album features more diverse songs, a cooler atmosphere or greater musicianship than this one. Number Of The Beast is the default classic, but Powerslave ranks higher in terms of song writing.
Aces High starts the album with a dramatic intro and very melodic main leads. The song was often preluded by a Winston Churchill speech live that ended with “We should never surrender!” Two Minutes To Midnight sounds like a Saxon song. Its riffing and chorus are vintage New Wave Of British Heavy Metal. The song itself is a dark construction out of lyrics that deal with a possible end of the world – it’s two minutes to midnight, you know? Losfer Words (Big ‘Orra) is a long instrumental in the tradition of Ides Of March or Transylvania. Flash Of The Blade takes a different look at the swordmaster motif from Sun And Steel. The Duellists features duelling guitars. Back In The Village is another straight riff-rocker. The title track has an Egyptian atmosphere and features a majestic, powerful chorus. The 20-minute song Rhyme Of The Ancient Mariner, based on Samuel Taylor Coleridge’s long lyrical ballad, is the most ambitious song Maiden have yet written. It was even played live in full length on the World Slavery Tour. It is safe to say that no metal collection is complete without this album. How many times can you say that about a piece of music? – Andreas Herzog
IRON MAIDEN – SOMEWHERE IN TIME – EMI
I categorize Maiden’s line-ups as follows: DiAnno era, Dickinson Mark I pre-Powerslave, Dickinson Mark I post-Powerslave, Bailey era, Dickinson Mark II. Pre-Powerslave includes the album Powerslave itself.
Powerslave was a turning point for Iron Maiden in many ways. It featured their biggest tour up to that point (World Slavery Tour), saw the release of their first full-length live album Live After Death, and saw them slip into commercialism afterwards. While many people think Maiden went down the drain in the years after Powerslave, there is at least one more album that deserves notice, and it is Somewhere In Time.
Interestingly, the band uses guitar synthesizers extensively for the first time here. Note the difference between keyboards and guitar synths: a guitar synthesizer either looks like a guitar with rubber strings or is in fact a real guitar with a Midi pickup, so it reacts to dynamic play a lot more than a keyboard. The sad thing is that it sounds just like a keyboard, so many fans grumbled about the sound of Somewhere In Time.
Caught Somewhere In Time starts with pumping bass lines by Steve Harris and is a fast beginning for the album. The synthesizer sounds are already dominant here. Wasted Years is very melodic and sort of celebrates the band’s tenth anniversary. Sea Of Madness has a touch of hard rock and reminds me of a mixture between Maiden and Aerosmith. Heaven Can Wait, a hit single, begins with Steve’s signature bass notes again, but many fans never got used to the song. The Loneliness Of The Long Distance Runner, based on Alan Silitoe’s short novel, is one of the highlights and has a very cool atmosphere. No doubt a marathon runner has thoughts like these during a race. Stranger In A Strange Land, again about a novel (Robert A. Heinlein’s classic from the golden age of Sci-Fi), starts with an ice-cold riff that really expresses the hostility the Martian must have felt during his first days on earth. Read the novel to find out more. Deja Vu again has a futuristic touch and is fast-paced. Alexander The Great, at 8:30 min the longest song of all, has layers and layers of synthesizer sounds. It is epic and might appeal to fans of newer Virgin Steele. Either way, it would have been perfect for the soundtrack to Oliver Stone’s movie Alexander.
Keyboard-haters should give this album a chance – it grows with every listening session. But it cannot conceal the fact that Iron Maiden really went down the drain music-wise after its release, even though every later album had its moments. – Andreas Herzog
IRON MAIDEN – THE FINAL FRONTIER – UNIVERSAL
The Final Frontier is a respectable album with good moments and good songs, which is something when talk is of Iron Maiden in this century. The band has gone back to the studio it utilized for Piece Of Mind, Compass Point, and the resulting sound and vibe aren’t far off from the heady days either. The band might have gone back to the 1983 approach, but there are no Troopers or Flight Of Icaruses here. Instead, these are typical of newer songs. Often, long, sometimes very long, and always tipping towards the prog. After all, the band’s back to the future progression has its limits. Interestingly, the band has spoken about how little has changed at the studio since its last visit, although the studio was torn down and rebuilt since the last time Iron Maiden recorded there.
Nevertheless, and speaking of ‘back to the future’ The Final Frontier is a science fiction themed album. It is a bad sign that Maiden has had to go back to the theme and visuals it operated in 1986 for a new album. Although, one wishes the group had in fact found that sound, writing and energy again.
The album begins with a long and weird intro called Satellite 15 that after some atypical droning (kudos to the band for taking a chance) leads to the title track. The song proper has a great riff and asserts that singer Bruce can still wail and does so in a catchy manner. One is almost sorry the song ends which is something no one at Metallian Towers has said about Maiden for 20 years! Another great thing about the song is its establishing that the disc has a sharp guitar sound. Every album with Kevin Shirley at the helm and thus far suffered from a soft and simulated guitar sound. El Dorado is heavy and has a good riff too. It starts with a riff like Heart’s Barracuda on bass and sports a real guitar sound in the main riff. It is not terribly original however. It is interesting and has creative drumming to boot. Mother Of Mercy is more typical Maiden (post 1986). It is a waste of time with a boring strum and ersatz patterns. Coming Home is slower. It is indeed a nice song with good guitars and a real feeling, but the synthesizers need to go away. Iron Maiden is not about to improve that however. The song has a good warm bass sound that actually replaces the Steve Harris rattle of later days with which listeners have been plagued. The Alchemist is upbeat and energetic, while Isle Of Avalon is standard aside from the prog rock interlude that takes one to a dream theatre. Next comes Starblind, which has the album’s best riff at the beginning, and double guitars that explode and remind one of how the band’s harmonies are back here. Surely, that is one of The Final Frontiers’ better attributes. Sadly, the great riffs do not last. It is as if Maiden deliberately is clutching at straws. Incidentally, look at the long lyrics. Bruce’s stamina is tested with this one. Staying on that theme The Talisman shows the singer truly trying and exerting himself. It is rewarding to hear him not rest on laurels and still sound motivated. Skipping one track the 11-minute long When The Wild Wind Blows is hardly Rime Of The Ancient Mariner in quality. By the second time Dickinson asks whether we know or have heard what is going on one has lost interest. Steve Harris, however, is likely happy having composed and inserted his everlasting ostentatious track. Too bad the song loses steam fast.
Well, it is Maiden and a good one at that. As said, it is a good one though only for the period (the band is in). The disc looks good and has fine artwork. There are not any extras or information on my disc, which is sad, but not surprising. After all, this is the band that charged its fans for access to its official forum. It is worth a purchase, but things would look up even better were the band to cut back on the epicness, exceed mid-paced speeds often and dump the synthesizers next time. After all, it is supposed to be metal so why have gratuitous ingredients? – Ali “The Metallian”
Metallian has uncovered a vintage May 1992 interview with IRON MAIDEN’s Janick Gers and Dave Murray that was never printed. Originally taped for the Sonic Disaster radio show and broadcast on the CRSG college radio, the interview was conducted by Ali “The Metallian” in Montreal and on the eve of the release of the band’s Fear of The Dark album. – 26.05.1992
METALLIAN: Guys, thanks for your time. Listening to Fear Of The Dark one notes that it starts with the fastest song, Be Quick Or Be Dead. Since the song is not representative of the whole album is its placement a reaction to some people’s belief that Iron Maiden has mellowed out?
JANICK: No, not at all. We listen to constructive criticism, but we don’t necessarily listen to all the negative things about the band because a lot of it is sour grapes. On this particular album, that song introduces itself as the introduction to the album. It is the perfect opener. That is the reason it’s there. If you look further in the album, you will find Judas Be My Guide, which is equally as fast and ferocious. Be Quick Or Be Dead just said ‘I want to be the beginning!’
DAVE: Yeah, I agree with Janick. It is great to have an impact when you open an album up. It is up-tempo. It has a… vibe. Actually, throughout the album you will find quite a few time changes. You get fast bits, you get slow parts, medium tempo so really an album as a whole should have a lot of different flavours and shouldn’t be all one pace. We just thought ‘immediate impact. Boom! In your face.’
JANICK: There are a lot of textures to the album.
METALLIAN: You must agree that it is not consistent with the other songs. There are different songs and different tempos on the album. Does that make the album inconsistent?
JANICK: The album is consistent in that it has twelve individual songs on it that complement each other. We don’t want to do twelve songs of the same speed and the same feel just to please the radio or please whomever. We are there to explore different avenues and write different songs. We have explored so many different avenues on this particular album and we are so proud of the songs on there. These are twelve really good tunes. We are very proud of them.
DAVE: I agree there. I mean even lyrically you are talking about many different things in the songs. When you make an album, musically, the musicians want to make the best they can and then underneath it all you have got this heavy rock driving sound here. On the top, you have different melodies. To me it’s a classic Iron Maiden album. I think it’s one of the best things we have done, you know?
JANICK: I must say that any song you pick from that album wouldn’t be representative of the album. There are so many different things on there. Every one is an integral part of Iron Maiden, a real driving hard rock band. With so many different textures, there isn’t one song you can put in the beginning that is representative of the whole album. It is as if Maiden has changed, but we are still the same.
DAVE: The identity of Iron Maiden is still there and if you put any track on you can tell it’s Iron Maiden, but Fear Of The Dark, the track itself, probably sums up everything Maiden is about and the whole album is about. For us this album feels so fresh. It feels like it could be our first album. We are very excited about it.
METALLIAN: On the topic of the sound of the album one notices that the keyboards the band used on the last couple of albums have been pushed aside. Was that consciously done?
JANICK: I think what you do is you look at the song and you think what does this song need? If the song needs keyboards then we put one on. In any band, whatever band you are in, I think you should look to make the song as good as you can. There are actually keyboards on this album, bit it kinda washes. They are there when we need them. If we think they would enhance the tune then there would be keyboards on them. We are not against using them and we are not for using them; whatever the song demands we use.
DAVE: It just adds a bit of colour and fills out the sound. I think they can actually create moods. Many times when the keyboards have been used, they have been where the packages have been quite slow whereas on the up-tempo fast parts you won’t find keyboards.
JANICK: I personally have no qualms about using the keyboards. Every band I have ever been in… I have never actually played with a guitar player before! This is the first time. If it’s needed, I think you should use it. If it destroys the song then take it out. I don’t think there is anything in this album where it is overused. I think it’s perfect.
METALLIAN: What if the reaction of the fans is ‘I see Iron Maiden as a heavy metal band and I don’t want to hear keyboards’?
JANICK: The thing is do you follow what people tell you to do or do what you believe in? Now, the reason Maiden is still around is they have done always what they believed in. Before I was in the band what impressed me about Dave and the boys was ‘no compromises’! They didn’t listen to fashion, they didn’t do whatever every other bloody band was doing. They did what they wanted to do. You stand or fall on your own two feet. You either listen to what everybody tells you or you do what you believe in. I think Dave has always done what he believed in and I have always done what I believe in. If you fall, you fall; if you stand, you stand. It is a chance you take. If you think it’s right, do it. I’d say that to any young kid. Don’t follow everybody else. Do what you want to do.
DAVE: With Maiden and with the fans I think if they like the band they will enjoy the keyboards because musically you have got to develop and you have got to move forward. Having keyboards does that for the band. We are a rock band and having that kind of a thing makes us whole and makes us more rounded. I think heavy metal fans, in general, if they are into the band are going to like it.
METALLIAN: I would like to shift the subject and ask about the absence of Derek Riggs as the artist responsible for your cover artwork. Why did you decide to substitute him for Melvyn Grant?
JANICK: Derek is in fact still working with us. The single we have in Europe is Be Quick Or Be Dead, which isn’t the single in Canada because it is a bit too heavy for your radio. Be Quick Or Be Dead is number two in the radio over there and Derek did the cover for that single. We really believe in this album so when we did the album we sent the words to a lot of art colleges, universities, art people and said ‘draw something and send it back to us.’ We sent it to Derek too. The thing that best fit with the tracks on the album was something that came from somebody else. That is why it is on there. It’s not that we didn’t want to use Derek. It’s just that the Eddie that came back fits with the imagery for the album. I think the Eddie we used is perfect. It evokes a gothic image, which is exactly what we were thinking about. It is still Eddie. It is just that he is back in a different form.
DAVE: Derrick will be back. Actually, he will be doing some stuff with us later on. When you do music it’s gotta have an impact and with the Fear Of The Dark you want fish to come out and bite you in the face boom…
JANICK: We couldn’t afford that…
DAVE: We couldn’t afford it!
METALLIAN: In the last few years Bruce has gone out of his way to describe Iron Maiden as a rock and roll band. I do not want to see Iron Maiden associated with, say, Elvis Presley.
JANICK: It depends what you call rock and roll. To me rock and roll is Led Zeppelin, Purple, Free and the rock and roll edge. What Bruce is trying to say is that perhaps at some point Maiden has moved away from that rock and rollness. If you have that rock and roll feel in there, which developed on the No Prayer For The Dying album and his singing – it became less operatic and more what I call rock and roll – which is not Elvis Presley, but kinda like Gillan and Rogers and people I like to listen to. It doesn’t mean we are going to come out and do Johnny Be Good. Although we have done a B-side called Roll Over Vic Vella, which is a cover version of a Chuck Berry song…
DAVE: and we have done Nodding Donkey Blues... but yeah we grew up listening to rock bands in the ‘70s. In the ‘80s when the New Wave Of British Heavy Metal came out it was just a tag. We think of ourselves as a purely hard rock band. It is just that you have a label with the press and stuff. People like to label things, you know? But that’s fine because a lot of kids they relate to it as well.
JANICK: At the end of the day, you play what you feel and whatever comes out. Some people perceive what you are and sometimes they don’t perceive it the way you perceive it because they put a different name on it. That doesn’t change what you do.
DAVE and JANICK simultaneously (singing): You ain't nothing but a hound dog…
METALLIAN: This will appear on a bootleg very soon…
JANICK: Send it to Jonathan King (of Gogmagog).
METALLIAN: Let me ask you about the sales of No Prayer For The Dying. Were you happy with that album and what is the expectation for Fear Of The Dark?
JANICK: We did very well with No Prayer For The Dying including the tour although there was a massive recession in America. We are very pleased with it.
DAVE: Even in Europe, it was the biggest tour we had ever done. We played for more people in Europe for No Prayer For The Dying than we ever had before. The album sales were very good. At the time, we recorded the album on a mobile and it was pretty much live. We went into the studio did it and got out on the road. This time we had a little more thought in everything considering the new album. There was more thought behind the whole process and we recorded at Steve’s house in digital. The whole sound is different. The mood and the development… each album is judged on its own merits and I think this one is... touch wood (touches wood), it’s not wood, is it?
JANICK: All you can do is be proud of it. To me, it’s one of the best albums I’ve ever been involved with. The musicianship on this album is next to none. Everyone is playing fantastic. There are so many different influences and feels on the album. You can sense it. To me, it’s a classic album. The track Fear Of The dark just rounds it off. To me that’s one of the best songs Steve has written since Hallowed Be Thy Name. It is a classic song and live it is going to be something else.
DAVE: I think if anything this album hopefully in years to come will stand apart from a lot of things that we have done before. If anyone is going to name an Iron Maiden all-time album I think this one actually… it will stand the test of time because of the sound. It has a real ‘90s production. The quality of the songs is long-term. This could be a classic Maiden album.
METALLIAN: On a different tack, I have in my possession a Praying Mantis album on which Paul Di’Anno sings. It features many Iron Maiden classics. What do you think of that?
JANICK: I actually have worked with Paul before I joined Maiden. I have worked with Paul, Clive Burr and a guy called Jonathan King. Neil Murray from Whitesnake and people from Def Leppard were in the band. Paul is a great singer and I have a lot of respect for him. His got a new band called Killers and they will be out touring soon. I don’t know if they are coming to Canada, but I wish him the best of luck. As for the Praying Mantis thing, I haven’t heard it. The last time I saw Praying Mantis I was in White Spirit and it was 1979. I haven’t kept up with that.
DAVE: Yeah, I think when Paul does things there is probably going to be some Iron Maiden influences there and when he goes on tour there will be a couple of Iron Maiden songs as well because he was with the band for a few years. Even now with his new band, which is called Killers after an iron Maiden album, he is always going to have that ‘contact’ within the band. For him to push the band having the name will help him. I mean he deserves it because he spent a couple of years of his life working at it.
JANICK: God bless you, Paul.
DAVE: Yeah, good luck to the man.
METALLIAN: Let’s talk about the tour.
DAVE: We will back next month. We will be back the second week in June in Montreal.
JANICK: The album will be released on Tuesday.
METALLIAN: Who is touring with you?
DAVE: I heard it may be Testament, I think. There probably will be one other band as well. We can see who is available, but Testament is pretty firmly confirmed.
METALLIAN: Thank-you for the chat!
DAVE: Cheers, Ali.
Fear Of The Dark was issued on May 12th of 1992. Singer Bruce Dickinson, guitarists Janick Gers and Dave Murray, bassist Steve Harris and drummer Nick McBrain had the pleasure of seeing the album top the UK album charts.
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